Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

16.2.09

I Don't Have Time

This is the fifth blog I wanted to write about how I don't have enough time, but I don't really have time to explain why.

This is the second blog I wanted to write about the chaotic details of my early and current journalism life, but I don't think it will interest you.
Conflicts about talking to stuck-up celebrities and deadlines and story changes aren't the kind of stories that make the movies.

More important than grabbing your attention is that I don't even have the time to do it.
I have started writing in my journal again, but it's keeping me up an extra hour each night.
I'm getting insomnia, but it's worth it just to write for myself and just to reflect for once.
To pause.

I still don't have the time to write anything else but school, newspaper and my novel.
I got a great idea for a short story last night, when I was trying to drift off, but I can't find the time to write it.

It's about a guy named Edward Abbey. Doesn't that name ring nicely?
He's balding prematurely and he wears thick glasses and he lives at home on disability checks.
His only companion is his grey tabby cat, Clyde.
The story opens on a depressing winter morning. Edward Abbey is munching on soggy cereal and talking to Clyde.
A pistol is on the table, fully loaded and menacing-looking.
His is thinking about lonely things, like his dead mother and other sad stuff. He doesn't have any friends.
He is considering suicide.
He goes on the internet and dials-up (yeah, it's the present but he still has dial-up. Isn't that depressing?) and finds a website that allows you to tip the cops off to drug dealers. It's so very interesting because it's completely anonymous and such a ratfink thing to do.

I got the idea for this when browsing "how much is an eightball of cocaine" and how much it costs. Ironically, I stumbled upon the info on a cop website based in Michigan that actually allows you to snitch on drug users and dealers.
I looked up some Michigan politicians and sent in tips that they were sniffing coke. I'm causing chaos in a state I don't live in. It's funny.

Here is the link so you can do it yourself:
http://www.huntteam.net/AnonymousTip.htm

Anyway, Edward Abbey is so lonely and so bored and so depressed that he decides to submit his own name. He types in "Edward Abbey sells drugs to school kids" and his address and his full name and his height (5'3''), his eyecolor (grey), his weight (213 lbs. [he weighs himself to be accurate]) and finally his birthdate (Dec. 1. 1973).

The next morning, Edward Abbey notices an ivory white van sitting outside his house. He checks periodically and it's always there. It has Michigan plates, (cuz Edward Abbey lives in Michigan) and Edward Abbey realizes that he is being watched. He excitedly pours himself another bowl of soggy cereal and tells all this to Clyde. He feels like a celebrity.

The van is there for a week and then it disappears and this depresses Edward Abbey so he logs on again and rats on himself again. He says, "Edward Abbey has a drug den in his home." The next morning the van is there and Edward goes to the grocery store and the van follows him. As he shops, he notices that a shady young man is following him. This guy pushes a shopping cart and occasionally loads in random objects, but they're not things a man like him would buy. This is a clue the guy is shady because a normal man does not have tampons and saurkraut and Good Housekeeping in his cart.

Edward Abbey realizes he is being watched and he is ecstatic about the attention. He looks in his cart and realizes that he has the same old gross cereal and cat food and some hemmerhoid lotion. He decides that he needs to impress the shady character browsing the same aisles but picking up Tabasco sauce and kid-sized toothbrushes. So Edward puts the cereal back and buys a nice, big steak. He buys A1 steak sauce and a set of steak knives and potatoes and chicken stuffing and carrots. He blows half his disability check on this and the cashier flirts with him. Edward has never felt so good.

But then, in the parking lot, he realizes the shady guy and the ivory white van won't follow him much longer unless he has some real evidence against himself. So he pushes his cart of groceries past his car and down an alley and finds a homeless man.

He tells the man, got any cocaine? And the homeless guy laughs and says sure. And Edward Abbey asks how much it'll cost and the homeless guy says $200. Edward gives him the other half of his disability check and takes the eightball of cocaine and stuffs it in his pocket. Down the alley, he notices the shady guy duck back. Good. He was watched.

And Edward pushes his cart back down the alley and gets into his car and goes home. The white van follows him. Edward cooks his meal and talks to Clyde and Clyde purrs. Edward burns half the meal, but sets it on the table anyway. He removes the pistol, which is still sitting there and he looks at it and feels foolish that he ever felt suicidal. This is the best day of his life. It's like he has guests. He replaces the pistol with the eightball.

Then he sits down and eats and watches TV. When he turns to the six o clock news, he notices his mug on TV. He beams! He's famous! Maybe like Andy Warhol once said, he's only famous for fifteen minutes, but that's still something. He turns up the volume and listens to the anchor talk and talk and talk about . . . HIM! Edward is crying tears of joy. He eats his steak and his stuffing and his mashed potatoes and they're mostly burned, but it's the best meal he's ever had.

Then he hears a million sirens and the cops pull up and the police copters and the news copters are buzzing overhead, louder than a hurricane and he hears a cop scream through a megaphone, "Edward Abbey, come out with your hands on your head!"

This is Edward's big moment. He doesn't know what to do, so instead of panicking, he packs up the leftovers from his meal and puts them in Tupperware and labels them and puts them in the freezer. Clyde is freaking out and clawing up furniture. Edward is crying again, but not tears of joy.

The cops yell at him again. "We know you're in their!" Edward realizes his mistake. He realizes this is the end. That he can't go to prison. He was already living in a jailcell his entire life. He's already had his last meal. He's already on death row.

So Edward takes Clyde into the bedroom and he brings the pistol. I know, this is horrifying, I thought, but it has to happen. It just HAS to. It makes the story anti-climatic if poor, depressing Edward doesn't destroy some outside part of himself. So he does. He points the barrel at Clyde and pulls the trigger.

The cops hear the shot and start firing. Edward is safe, however. He goes to the front door and he opens it and he shoots and that's the end. The scene ends with only the silohette of Edward passing through the door and the extreme brightness of all the spotlights trained on him. Trained on HIM. And we watch Edward crumple to his knees.

And that's the whole story I thought of last night. I know it starts out depressing and ends depressing, but maybe that's okay because our main character learns something, he grows and he steps outside himself a little bit. Only he did it the wrong way, and maybe this serves as a moral for you; don't blame yourself. Instead, free yourself.

And maybe you think it's an excellent storyline despite many of the obvious faults. Maybe it's just like one of those movies. Maybe it's perfect idea. Maybe you're telling me, "why don't you have time to write that? You have to!" Well, maybe I just did.


10.3.08

Dialogue Experiment

Dialogue Experiment

I wrote this for English class. I was supposed to write a dialogue between three historical figures, arguing about some poignant issue. I put it into a scene, gave my characters some life and some relevance.

I was very happy with what I wrote and I read it in front of the class. Everyone seemed to be shaken by it, good or bad. No one else wanted to read after me, one girl even said because she couldn't compare.

I'm not going to brag about myself and I'm sorry for dumping another school assignment in here, but I was truly pleased with what I wrote. This is a new style of writing I am trying out, where I just throw in too many adjectives and technical jargon and go with it. I did this for my last op/ed and a few other things and it seems too be working.

That is why I am sharing it. I know there are a few technical errors, and I could edit it a third time, but no thanks.




Beforehand, I was running on three hours of sleep for the last thirty-six hours. Finals week. A caffeine buzz that gutted my stomach; ripped me in two. Despite the health affects, I was studying some liberal doctrine on censorship in the schoolroom. When the clock struck two a.m. I drifted into a blur of psychotic delusion.
This is a mostly true dream I had while suffocating in my own psyche.
Sen. Joseph Raymond McCarthy was there, playing chess on a TV tray with Oscar Wilde. Mark Twain was there, carving into the wall with a Swiss army knife. The room they were in looked like the darkened captain's quarters on a steamboat. The windows were cracked and black-green with the stains of the ocean.
I was hiding in the closet, afraid that they would smell me out. I do not know what I feared from them, but I was bleeding from my ears and that seemed to provide an adequate explanation.
The chessboard was made out of ice. Wilde had his opponent on the run with three pawns and a half melted rook. His king was a puddle.
They were discussing theater for a while; Twain was off in his own little world, stabbing the wall. Between puffs of a clove cigarette Wilde would call McCarthy by his middle name, Raymond. Their dialogue was muddled, like I was hearing filtered underwater.
They got on the subject of censorship because recently one of Mark Twain's novels had been removed from school libraries across the country for being 'vulgar'. Raymond had a large smile that could have been cut from glass, it was so sharp.
"I couldn't be more pleased," he smirked. "Check."
"What's wrong with the book that makes it so dangerous?" Wilde asked.
"Well-"
"Will anyone really be hurt by the Adventures of Huckleberry Finn?"
"Don't be melodramatic. The book itself is not dangerous, it's the language used in the book. It's an idea that could directly lead to violence, hate crimes and racist divisions." Raymond was yelling but from what I could hear it was like static on an FM dial. Twain was pounding his head against the wall and Wilde castled a third time.
"How does a book cause hate? How will a word used in historical context teach someone to hurt another?"
"The word 'nigger' devalues the black man. Teaching our children to devalue other people obviously causes violence. It even starts wars!"
"Really? That seems difficult to prove."
"Was not the American Civil War encouraged by Uncle Tom's Cabin? I mean, in a good way."
Twain shouted from his wall, "The Civil War was fought over taxes and secession, not slavery. Certainly not a trite, little book." He pounded his head again, and I could hear it crack louder than anything else. Wilde and Raymond ignored him.
"I meant it seems difficult to prove that the book teaches us to devalue each other, not that miseducation leads to war. However, censorship IS miseducation. I think more damage has been caused by censorship than from it." Wilde said patiently, chewing his cigarette callously. "The Nazis censored books, even such as the Bible. It is with an unavailability of diverse thought that any evil begins."
"America is not the same as Nazi, Germany, not even close!" Raymond pounded a fist against the chessboard.
"Imitation is the highest form of flattery."
Raymond was so silent the only sound was from the splintering of Mark Twain's forehead. The cherry in Wilde's cigarette crepitated in his clenched hand.
I began choking on something, material liquid, gas and solid all at once. Plasma asphyxiation. I hacked up dissolved wedges of my own trachea. Black bile dribbled out my lips, the taste of a concussion. The three in the other room heard me but chose to ignore the gurgles in the closet.
"Some," Raymond said. "Sacrifices must be made."
"Censorship is thought control. You would slaughter the mind on the altar of freedom?"
"Would you rather have our children hating and killing one another?" Raymond seethed in and out like a humidifier, visible clouds of gas seeped out his teeth.
"Your solution to the social ignorance of racism is to hide it? Outta sight, outta mind, right? You don't have to burn the books, just remove 'em?" Wilde played his pawn a space forward.
"Exactly! You do have some sense." Raymond laughed and more bile came out my mouth at the same time.
"Well, what about the damage your own life's work caused? Your mad raving about communism hurt people, perhaps even more than Twain's book ever will. I think we should censor that too, then." Wilde stood up. "Checkmate."
Mark Twain turned from the wall. His forehead had a gash like the entrance of a cave, with a waterfall of blood oozing out like a red carpet. His eyes were burning oil.
"George Bernard Shaw once said, 'assassination is the extreme form of censorship.'"
Twain pulled out a revolver and opened the chamber. He inserted one bullet and spun the cylinder. He held the weapon against Raymond's teeth and pulled the trigger.
I heard an explosion, but woke up before I witnessed a result. I was drooling on myself in a stupor of over-stimulation, dazed by a fit of narcolepsy.
The sun was rising.